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Vega 85mm
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
Vega 35mm
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
Leica Noctilux 50mm T0.95
As you would expect from Leica, this lens performs extremely well in the corners with almost no chromatic aberration or fall-off and once out of focus, the soft swirly bokeh is truly breathtaking.The Leica M lenses have always been known as very special lenses, with the 50mm Noctilux possibly the most legendary out of the set. The Noctilux is ultra-fast and as a result, performs extremely well in low light, as well as having the option of a narrow depth of field that allows you to isolate your subject.
Once rehoused into TLS cam-form metalwork along with PL mount, the lens has an improved close focus of 2’4”. The lens also has a large image circle and as a result, can be used on RED MONSTRO, ARRI LF and Sony VENICE with no vignette.
Please note that TLS will be rehousing the Noctilux as a one-off and won’t be able to offer the rest of the Leica M range.
Vega 105mm
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
Neo Super Baltar 20mm T2.3
Released in the early 1960’s, the Bausch and Lomb Super Baltars immediately established themselves as the optics of choice for motion picture and television. Films such as The Godfather I and The Godfather II were both shot on Super Baltars as well as Hitchcock’s The Birds and the iconic TV series Star Trek.
Recently, Caldwell Photographic resurrected these famous lenses from the original Bausch and Lomb blueprints, ensuring they produce the same gorgeous images as their namesake. The only thing separating the Neo Super Baltars from the originals is availability. TLS has offered a full cam-form rehousing of the Super Baltars over the past few years which has proved extremely popular. We have now extended our style of rehousing to the Neo Super Baltars and can offer a very similar finish to the original Super Baltar rehousing or alternatively, offer a more vintage look of housing with clear aluminium cover and rear ring as pictured.
Vega 135mm
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
As you would expect from Leica, this lens performs extremely well in the corners with almost no chromatic aberration or fall-off and once out of focus, the soft swirly bokeh is truly breathtaking.The Leica M lenses have always been known as very special lenses, with the 50mm Noctilux possibly the most legendary out of the set. The Noctilux is ultra-fast and as a result, performs extremely well in low light, as well as having the option of a narrow depth of field that allows you to isolate your subject.
Once rehoused into TLS cam-form metalwork along with PL mount, the lens has an improved close focus of 2’4”. The lens also has a large image circle and as a result, can be used on RED MONSTRO, ARRI LF and Sony VENICE with no vignette.
Please note that TLS will be rehousing the Noctilux as a one-off and won’t be able to offer the rest of the Leica M range.
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.
Released in the early 1960’s, the Bausch and Lomb Super Baltars immediately established themselves as the optics of choice for motion picture and television. Films such as The Godfather I and The Godfather II were both shot on Super Baltars as well as Hitchcock’s The Birds and the iconic TV series Star Trek.
Recently, Caldwell Photographic resurrected these famous lenses from the original Bausch and Lomb blueprints, ensuring they produce the same gorgeous images as their namesake. The only thing separating the Neo Super Baltars from the originals is availability. TLS has offered a full cam-form rehousing of the Super Baltars over the past few years which has proved extremely popular. We have now extended our style of rehousing to the Neo Super Baltars and can offer a very similar finish to the original Super Baltar rehousing or alternatively, offer a more vintage look of housing with clear aluminium cover and rear ring as pictured.
Vega lenses were developed with filmmakers in mind in response to the market’s growing demand for lenses capable of covering the larger full frame digital camera format. TLS’s latest development, Vega, is a new series of Full Frame cine prime lenses. Vega exists in a set of ten lenses, including 20mm, 24mm, 28mm, 35mm, 50mm, 58mm, 85mm, 105mm, 135mm and 200mm focal lengths, ranging from T1.5 to T2.
The Vega lenses, although sharp, have a beautiful smooth look with a tiny amount of fall off towards the corners. They also have a stunning bokeh as a result of their 16 blade circular iris and when wide open, can offer a very narrow depth of field.